Chapter I.
The Modern Legend of Lost Garden
迷失花园的现代传说
According to Genesis records, the first garden in the world was a living world created by God for Adam, called the Garden of Eden. Due to Adam and Eve's greed for stealing the forbidden fruit, they were expelled to leave Eden. In order to make up for the longing for the garden, Eve built one garden after another in the mortal world.
As an unnatural natural thing created by human hands, the garden has a certain divinity that transcends the secular since its birth. People in the past needed gardens so much, and they built their yearning for a better life and utopia on the garden.
No one reject nature, flowers and life. INSTEEL uses objects as the carrier to bring perceptual garden images into people's lives and create a beautiful life with people.
具创世纪记载，世界上第一座花园是上帝为亚当打造的生活世界，名伊甸园。后来亚当与夏娃因偷吃禁果被驱逐离开伊甸园，为弥补对花园的思念，夏娃在凡间打造了一座又一座花园。
花园作为人手打造的自然之物，诞生起即附带了某一种超越世俗的神性。人们需要花园，需要把对美好生活的向往建筑在花园之上。
没有人能拒绝自然、鲜花与生命，INSTEEL 以物为载体，将感性的花园意象带入人们的生活，与人们一同打造美好生活的模样。
Chapter II.
Daily Imagination from Industry Machine
源自工业机器的日常猜想
The initial development of urbanization was based on the anti natural way. Human use natural environment to create an industrial society. City records the living community symbols from things.
The relationship between human beings and "reinforced concrete" is not antagonistic. From the perspective of transcending daily life, we can re-examine urban symbols, export romantic products, and refresh our thinking towards daily life.
初始的城市化发展建立在反自然的道路上，人类割舍自然环境以打造工业社会。城市记录下人类的生活共同体，呈现一系列由物而来的工业意象符号。人类与「钢筋水泥」关系并不对立，以超脱日常的视角重新看待城市符号，输出创意的设计，与用户一起转变思维刷新日常。
